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A JBO Reel Review of: Contagion (2011)

Feb 28, 2024 | JBO | 0 comments

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A JBO Reel Review of: Contagion (2011). While Contagion makes little use of its powerful cast, its legacy now, in light of the COVID-19 pandemic, is less about its artistic or technical achievements and more about the message it tries to impart.

While Contagion makes little use of its powerful cast, its legacy now, in light of the COVID-19 pandemic, is less about its artistic or technical achievements and more about the message it tries to impart.

Boasting a star-studded cast, Contagion follows healthcare professionals, government officials and everyday citizens as they struggle to cope with a global pandemic, holding out hope that the CDC can develop a vaccine before it is too late.

Contagion Makes the Virus the Central Character

Gwyneth Paltrow as Beth Emhoff in 2011's Contagion

Contagion makes effective use of insert close-ups to demonstrate the spread of the virus. Of course, you’ll never actually see the virus wafting around in the air or hanging out on an ostensibly clean surface, but you will cringe and wince when some unwitting potential host touches that door handle or picks up that dirty glass—you’ll even recoil when two characters come close together to share an intimate moment.

It’s an effective method for showing that we live in a tactile world where we are constantly flirting with viruses and other pathogens.

Marion Cotillard as Dr. Leonora Orantes in 2011's Contagion

Director Steven Soderbergh—of Erin Brockovich and Ocean’s Trilogy repute—opted to give us spectacle over intimacy. Soderbergh made more use of disaster scenes like a deserted airport, desolate streets and mass graves than he did of his cast, perhaps in an effort to make the virus the central character. Nevertheless, you can’t help but feel like the talented actors in this film are wasted. But in the context of 2020, this film is not about its cinematic merits.

Will Society Collapse Like It Did in Contagion?

Even though our societies haven’t—and are highly unlikely to—collapse to the degree that they did in Contagion, the premise of the film should sound eerily familiar as we continue to cope with the COVID-19 pandemic.

Terms like “social distancing”, “isolation”, “quarantine” and “R-naught” crop-up with enough frequency to make your ears stand up, if for no better reason than we’ve been trained in recent weeks to listen attentively when we hear them. Frankly, there isn’t much in Contagion to separate its fiction from today’s fact.

Kate Winslet as Dr. Erin Mears in Contagion

Where it does slightly miss the bullseye is attributable entirely to the fact that this film was made almost a decade ago—a veritable aeon in the 21st century.

With so many parallels, some might want to call Contagion—and other films, books and television shows like it—prophetic. The truth, however, is that Contagion is just a well-researched story about a universal and ubiquitous fear, one that is always present in human society even when we aren’t presented with its reality.

In Contagion, No One Is Immune to Fear

Matt Damon as Mitch Emhoff in Contagion

The world has faced enough epidemics and pandemics in the past for organizations like the CDC and the WHO to develop well-documented protocols and standards should another virus or bacteria wander out of its hiding place. Ultimately, all that writer Scott Z. Burns had to do was to ask healthcare and government officials what their response would be in the event of, perhaps, the most predictable—or at least the most inevitable—kind of natural disaster.

While it’s fun to imagine that someone out there had a moment of clairvoyance or divination that resulted in a major motion picture, Contagion would best be viewed as a motion picture manual.

For all that it could have prepared us as average citizens for coping with a viral outbreak—as stock markets tumble, people scramble to buy toilet paper and flock to hospitals for a cough and fever—Contagion’s most significant lesson comes from its tagline, “No one is immune to fear.”

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Brendan Da Costa is an award-winning short story writer, poet, novelist, content writer and (very, terribly opinionated) blogger.

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